13 Tips and Tricks That Tea Will Help to Make Better Photos at Night

After the welcome that had our recent guide on night photography: “the night photographer Guide: this is what you should know to make photos of night”, have thought further in night photography, but from another point of view and not so focused on long-exposure photographs but directed to other types of situations in low light conditions.

There is a whole world of photographs that are related with the night or low light conditions, if you prefer it. And because in the end and after the word photography means ‘painting with light’, night presents peculiarities that we must know to solve. For this reason we have prepared a list with 13 tips and tricks to try to get the best result to take photos at night.

#1 Usa well spot metering

In low light conditions, it cost to perform accurate measurements, so the best is to use spot metering.. Why? Using spot metering we measure in the area that we want well exposed and we forget, part of the rest. Imagine, for example, in a concert. The interesting thing would be to measure the exposure in the face of the singer.

This curious mounting of three pictures gives us the tracks of the fun that can be in the city night photography

#2 large openings, a great ally in the night

A fast and direct way to highlight an element on the other is blurring the rest, and the easiest way to do this is by using either wide apertures, or focal relatively long when they are appropriate. But what is well known when we speak of portraits and street photography, has a fundamental advantage in the evening: more light enters the lens. Which will mean that we can use a faster speed and avoid the shimmy. For example, if we are conducting night portrait.

#3 forget moved pictures about making a “safe” shutter speed

We have two options: make long exposure or not. For the first option the best trick is that you go to our night photographer’s Guide. For the second we think in night situations as a concentration of people, street photography, concerts and similar shows. Jobs in situation, the best trick is to make sure we don’t have a moved picture. To do this, you try to make 1/125 “at least, Remember that according to your pulse could eventually make photographs below 1/60 “but not typically the.

Exposure triangle

#4 fits ISO, always check the pictures and watch the histogram

Three in one. Follow this process to rigorously. Remember that higher ISO, more noise and less definition detail, right?. Used, therefore the lowest possible, whenever you can to prevent the formation of digital noise. But the lower does not mean shoot at ISO 100, no. It means the lowest that you can so the photo is well exposed (if you have to work at ISO 1600, for example, do not pass anything). Therefore, the trick here is Watch the histogram. Keep in mind that despite the lack of light, at night there may be many other lights that have impact on our picture. Always check the photographs.

Thinking resorted concerts or evening shows example, imagine a change of lighting in which the lighting is more tenuous, probably not notice more than a change of colour. Repeat photography to the singer with the same parameters and see the histogram has been underexposed. We got the ISO and return to shooting. The situation may be backward and the image being overexposed. The histogram will help us to quickly decide whether to raise or lower the ISO.

#5 any support for the camera is welcome

Any support is valid for our camera. Think of events such as a concert, a demonstration or the own cavalcade of the Magi, in this type of situation it is impossible to use a tripod by the large number of people and the time that we would lose moving and using the tripod. We need something lighter, you can then use a monopod. A wall, good posture, also help. On the other hand, if we have space to our around the best trick to stabilize is and always will be using a good tripod.

Alien Attack Fusky – Nikon D700 f/5.6 106 seconds to 20mm ISO 100

#6 focuses on the areas of greatest contrast

Obviously towards a part of light of our main motive. It may seem obvious but we all make many mistakes and then we complain that our camera does not focus well when there is little light.

The best thing, then, is to use the timely approach and choose the focus point in a zone to produce contrast and is not very small areas that present contrast are easier to focus. Although it is not the only technology approach that exists. For example, in a concert, typically would be to focus in the face of the singer. By the way, remember that in many cameras the central focus point is usually the most accurate.

#7 preenfocar, the last resort

A solution that can be a last resort. It is something that some photographers events usually perform in the sensuous dance of a wedding. The approach used in these clubs with many lights auto can be a real torture. In those cases, we could do the following. We use an aperture of f/5.6 or f/8 and we focus a distance, for example, about two meters (if we have a tape measure, may help). Once the approach well, we leave the autofocus in manual mode and don’t touch anything else. Use clear, high ISO that we can.

#8 flash is a great companion

The previous situation improved in terms of quality of the photographs if you have a flash or some kind of lighting. Learn how it works and get out of going to allow contribute certain amount of light we need to the scene and, in addition, do it in a controlled way.

Take advantage of continuous #9 Luz by night,

As in the previous case, to use external light during the night can greatly improve the scene. Sometimes the light of a street lamp or a showcase allow to create the magic of photography, use them. Also light sources LED type can help you like for example, the Power Blade of Gloxy, recently analyzed in Engadget photo, that I could get results as good as this:

Photograph of Alfonso Domínguez

From lights, street lights or Christmas lights lights can also help you to get the necessary light to have a proper outlet.

#10 any light source can be carefully

Take advantage of the light of a showcase, a luminous sign or a lamppost, but be careful with this type of lights. Occasionally, it is necessary to tell the camera that it saladas scene, a little to get a more real environment. On the approach, this is choosing a fixed point, such as the central, that will make things easier.

Photo by Alberto Garcia Rodriguez

But what you should always do is to seek the light. At night there are lights, as you said before. Any light source can help.

#11 Si use the TTL option at night, compensates for one or two less steps

If you use TTL overnight, outweighs one or two steps less, since when you do night portrait flash (used in these cases Center-weighted metering) the TTL usually tend to underexpose a bit. Depending on the characteristics of the scene or our Flash we can anticipate and overexpose a little (by removing the typical night flashazo) using the flash compensation option.

#12 uses a Black Card in long exposures urban

No, it does not has to do with banking issues, fortunately. If you are doing long exposure within the city, the usual is that lighting between the sky and buildings is certainly very different, several steps. Suppose an outlet for easy framing, where a part is the sky and the other city, the measurement of the sky and the city indicate a difference of 2 steps if we take as a reference between the sky and the most enlightened city. This means that Heaven (darker) would need more exposure time to the part of the city. Specifically the city would need 1/3 of the time of exhibition.

What is a Black card, Maybe just a piece of black construction paper. Suppose then that we’ve calculated 30 seconds to heaven, that the city should be exposed then about ten seconds. We started making and starting from 10 seconds, cover the part of the city ahead of the goal. Obviously, this craft technique, requires great skill to get good results but everything is practice?

Daniel Vine

As we have seen, the cities evening a magnificent opportunity, thanks to its lighting, they are also to get good night scenes. If we have a chance to go up to a high point and see the city we can achieve as striking as this, scenes from the Eiffel Tower in Paris.

#13 semiautomatic modes are your friends

If the type of photography is a casual, street, reportage photography, a good starting point is start with the semi-automatic firing modes, from these measurements, then various parameters depending on the type of photo you are looking for.

In summary

Photographing at night is one of the more complicated activities but also of the funniest for a photographer, and in which creativity can bloom better.

Photographing at night offers a very wide range of possibilities for photography but that requires enough knowledge about light. I hope these tips have liked you and see you at the next chapter photo.

Thank David Izquierdo, Alberto García Rodríguez, José María Martínez “Giuseppe”, Daniel Vine and Iván Sánchez “Fusky” by the cession of the photographs to be published in this article.

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